Aida
Ballo in maschera
Falstaff
Luisa Miller
Trovatore
Don Carlo
Amneris
Ulrica
Quickly
Federica
Azucena
Eboli
Wagner
Rheingold
Walküre
Siegfried
Götterdämmerung
Erda
Various mezzo Walkyries
Erda
First Norn
Orchestra Repertoire
Composer
Piece
Brahms
Alto Rhapsody
Beethoven
Missa Solemnis
Ninth Symphony
De Falla
El amor brujo
Mahler
Das Lied von der Erde
Kindertotenlieder
Symphonies #2/#3/#8
Rossini
Petite Messe Solennelle
Stabat Mater
Verdi
Messa da Requiem
Sain-Saëns
Samson et Dalila
Reviews
As Azucena in Il Trovatore
Selected Reviews
Conchita de Antuñano stands out from her first note as the Troubadour's gypsy
mother. Her sound is consitently impressive.
Jeanette Borzo
Contra-Costa Times (CA)
The Mexican mezzo-soprano, Conchita de Antuñano singing the role of Azucena
makes you believe these things could happen: her Azucena is haunted by her
mother's death and fatigued by years of carrying the burden of her secrets. In
the gripping aria in which she describes the fire, Antuñano built tremendous
drama into the story and added dimension to her voice, opening from a low murmor
to a high rich vibrato, spitting out a phrase with clenched fists crying "Il
figlio mio avea bruciato!" with a penetrating shriek..
Sarah Cahill Buffalo Express
in concert with Jerome Hines:
Other memorable moments were provided by the Mexican mezzo-soprano Conchita de
Antuñano, a particular crowd favorite.
Peter Spencer
Newark Star-Ledger
in Recital at Carnegie Recital Hall:
Conchita de Antuñano has a sturdy instrument and a powerful range. Her manners
on stage were elegant.
